Lighting Design

After basing off of big rectangular screens for the last few bog concerts, we came up with a fresh concept that would set the singer apart from the band, while letting the audience feel the importance of each band member. The big round screen in the middle with 2 long and curved platforms allowed us to "hug" the stage and the crowd.

An Iconic curved design in an iconic and historic venue.

Took inspiration from one of my favorite band's songs and decided to document the whole creation process, from drawings to visualization, through lighting programming, pyro and everything in between. This was the result.

Drupa 2024 is the biggest and most important printing/publishing tech conference in the world, held every 4 years in Dusseldorf. We designed the lighting for a space called The Theatre, featuring a massive screen that split in half remarkably and silently.

Hava Zingboim is a well known figure in the global cosmetics industry. This event lasted 2 days and served as a product launch as well as a thank you to around 1000 long time clients who were hosted for 1 night at the David Intercontinental Hotel. Our job was to create a wide stage as well as provide the video and lighting design services.
Client: Peruchi Productions.
Pyromania Item: https://vimeo.com/1146712821

Architecture is by far the most important source of inspiration. This design was based on a skyscraper that rose from the ground and split into 2 halves, leaving a triangular empty space in the middle.

The Idea was to create some sort of shield, symbolizing defense and perseverance in times of uncertainty and grief.

Look Up "Ryugyong Hotel". :)

What happens if you take a bunch of LED strips and play with their depths, then hide your lighting behind them so it's harder to actually see the lighting source directly.

Sometimes it just takes a quick listen to a song, to understand an artist's message, and to imagine what their inner world can look like. After listening to "Pop Star" by Black Sherif it became clear to me what his show would have looked like if I were to be approached by his team.

while looking small in renderings, this is a 10m high octagon, featuring 7 circular screens in its center. This structure and combination of shapes allows to create a wide range of looks. From organic, soft and elegant, to full blown electronic and digital, perfect for a big party.

Tough times produced mean looking sets. This is a smaller stage based on what was brought on our Country in October 2023. The Idea was to create some sort of shield, symbolizing defense and perseverance in times of uncertainty and grief.

Every event comes with its boundaries and limitations. In this case the only limitation was "don't hang anything, work only off the ground". This stage is a testament to our ability to stay creative and productive even in the hardest venues, with the tightest budgets, and still leave a long lasting impression on the crowd.

What happens if you take a bunch of LED screens and play with their depths, then hide your lighting behind them so it's harder to actually see the lighting source directly.

This concept was based on a pattern I saw on an office's ceiling panels.

Small scale stage design whose main feature is a staggered layout of the truss pieces, making a kind of "double wall" which allows to allocate more lighting devices in a relatively tight space.

This design was born out of limitations — stage depth. We made the stage spill into the crowd, making it much deeper than intended and turning the event into something completely different. Moral of the story: Limitations are your friend.

This was all about exploring what can be made with circular truss, focusing on the back of the stage and making a vortex like, time travel machine feeling.

This is what happens when you listen to Molchat Doma while working. :) They're worth checking out.

Brutalist Architecture. Look there and you will find answers. Based on a building in TLV.

Getting away from stage and more into providing a more immersive experience. This idea is centered around finding a solution to not just steal the crowd's space but give them something in return.

Small scale stage design, yet leaves a lot of room for variation and self expression to the operators.

This concept was developed with a specific location in mind, so there was a defined set of limitations that had to be met. This helps greatly with the decision making process.

An explosive burst of energy. This was what drove this concept into life. Creating motion with just the shapes of static screens.

This was a "what would you do if you had no budget limitations" kind of thing. This took the basic idea of "lights in a room" to the stage, creating a few sections on the stage, or "rooms" as the project name implies, and giving a different feel to each room through the choice of different lighting fixtures.